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Vitreus Art

About Vitreus Art
Vitreus Art is run by Jenny Timms & Mike Caddy.

Our pieces are owned by people who want their art to have a changing, dynamic quality. The way the glass responds to different lighting conditions means your piece will often give you something new or unexpected...

As well as making the designs you can see here, we specialise in creating specially commissioned unique and personal stained glass gifts.

The glass we use
We use Spectrum waterglass for vibrant hot colours; Kokomo cathedral glass for texture and richness, often with bubbles (called ‘seeds); Spectrum baroque glass, Kokomo iridescent glass (which has an oily shine which changes with the light) and fantastic streaky and opalescent glass from a selection of manufacturers.

We use the Tiffany method primarily, with copper foil and solder, because it results in a piece with finer lines between adjacent sections of glass. For our domestically sized pieces, this gives a lighter and finer appearance.

The glass is cut with a traditional glass cutter (itself something of an art as glass likes to do its own thing when being scored), and the edges are ground smooth. The sections of glass are wrapped in copper foil and soldered into the final piece. We polish the solder, or apply a chemical patina to give a copper or lead-black look.

Jenny
Jenny creates most of our designs, having first discovered her interest in light and colour while at Art College.

After raising a family, she now has the time (and energy) to experiment with glass and its unique ability to bring colour into the home or workplace.

Jenny is influenced by a range of artistic and natural themes, ranging from the Cubist and De Stijl movements of the early 1900s to abstract expressions and natural or man-made landscapes.

Mike
Mike is a marketer by profession. After working in a number of technology-related industries, the opportunity to develop a more visually creative interest began when he and Jenny saw examples of modern stained glass at Liverpool Metropolitan Cathedral.

Mike’s pieces often have an abstract feel, exploiting colour and texture rather than being based on figurative or descriptive designs.

 

 
 

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