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Previously a landscape painter of the Lakeland Fells of Cumbria, he has now found inspiration from the creativity of a colour flow technique in abstract form. He produces a wide range of abstract styles with blending shapes, soft colours and bold colours. All of his paintings are tactile, some with a smooth touch, some lightly textured and some heavily textured in their finish, adding an extra dimesion to his work.
Matthew is fascinated by the process of extracting the essence from a scene, abstracting it slightly from the reality to enhance its impact. Mainly painted on location initially, sometimes reworked in the studio, at the moment he works almost entirely in water borne media; watercolour, pen and ink, acrylic, water soluble pencil, etc.
Colin's work explores beauty and horror in modern life and in the worlds of his imagination, using Colour, Light and Movement to create illusion and discussion for the viewer.
Lisa Ingrey Lisa studied at Parsons School of Design in New York City and University of the Arts, London. However, I consider myself a self–taught artist. Lisa paints mainly from the imagination, using thought and emotion as inspiration. She creates paintings with warmth and passion, with an atmospheric edge, which is reflected on the Canvas.
Stephen Morris Stephen paints 'en plein air' because he feels that it captures the immediacy and freshness of the Scillonian landscape. He is strongly drawn to colour, occasionally painting well-known island views but always with a different and perhaps unusual perspective. Preferring the traditional use of watercolour to produce sweeping atmospheric skies and sea, Stephen does not use body colour in his artwork.
Richard Blacklock Life is interesting and I like to get it down on canvas or paper by painting or drawing it. People or animals are best because they are always on the move, even when asleep. But I am not constarined by this. I will paint anything.