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Wynne is a full member of the Guild of Railway Artists and has exhibited regularly with the Guild for many years at various venues including the National Railway Museums at York, Swindon and Shildon and other galleries throughout the United Kingdom. Wynne has also had work included in the Guild’s latest book ‘Along Artistic Lines’ published in 2003 in conjunction with the National Railway Museum and the Science Museum, London.
I am currently a resident artist at the Ascot Contemporary Art Studios in the Ribble Valley.
My work is concerned with mans relationship with the environment. The architecture and placement of the structures and places that we call home or work, how they are created and how they decline I follow this across Europe and Britain. Over 2007 I have enjoyed been painting across both Andalucia and the UK. A situation which will be extended to parts other parts of Spain as well as in both France, Austria and Italy.
Adrian has been painting for most of his life however he has only turned to working as a full time artist for the last three years or so. Adrian has worked in many different mediums and styles during his career, he is currently working in acrylics and has been for the last year or so. As for most Artists Adrian's style and the way his style evolves is the most important factor in his work. Adrian uses a palette knife to paint which has helped him greatly in the creation of his very unique and original painting style.
Victoria Topping Victoria was born in Spain and studied art briefly in Madrid. She now lives and paints in Hastings where she exhibits regularly along with local artists. She is well known for her use of bright vibrant colours. She only uses oils, and paints a variety of subjects. Her style is developing constantly, but she enjoys the pointillist technique. Much of her work is commissioned.
Graham Shaw Previously a landscape painter of the Lakeland Fells of Cumbria, he has now found inspiration from the creativity of a colour flow technique in abstract form. He produces a wide range of abstract styles with blending shapes, soft colours and bold colours. All of his paintings are tactile, some with a smooth touch, some lightly textured and some heavily textured in their finish, adding an extra dimesion to his work.
Keith Whitehead Keith began painting in the 1970’s and sold my first picture at that time as a self-taught artist. Although Keith occasionally focuses on other subject matter and the different challenges they present, his principle passions are for landscape, seascape and waterscape, and the interpretation of nature has always been a fundamental motivating factor for him.
