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Alan takes his inspiration from
great designers like Clarice Cliff, Charles Rennie Mackintosh,
Lorna Bailey to name a few. Alan likes to bring colour
to what can be a grey world. His range of canvas paintings
is called HAPPY ART as this is what he hopes it brings
and has indeed been told it brings from previous customers.
Kenneth is a great admirer of the
Post Impressionists and Fauves together with modern
artists such as Frank Auberbach, John L Morrison, Alan
Cotton, George Rowlett and Arthur Madison. All of these
artists have had a great influence on Kenneth's work.
His passionate love of colour is shown in the dramatic
and emotional interpretation of his subjects when using
oil and watercolour.
Elizabeth was born with flaming
red hair in a small Yorkshire village, growing up in
the Dales proved to be a grounding in Elizabeth’s
appreciation of nature at it’s wildest and most
beautiful. Amongst others, the private collectors of
Elizabeth’s work include the A-list Actors...
Patrick Stewart, Kate Fleetwood and Rachel Ticotin.
Past exhibitions include The BBC, Soho, Pinner and Putney
in London.
Angela Melling Angela utilises modern technologies to explore the pictorial possibilities of her photography. Adding textures, tying colours together and digitally over-painting, her images move away from the straight documentation of what is seen through the camera lens to become nostalgic mood pieces.
David Golding In 1972 David immigrated to Yugoslavia. David had always had a flair for painting and drawing and started to paint on canvas for a year or two until he discovered the technique of reverse oil painting on glass. David became fascinated with this technique and studied it in Zagreb while visiting some of the more famous Croatian naïve artists such as Mijo Kovacic, Ivan Generalic and Ivan Lackovic who lived just outside Zagreb. David studied their individual techniques and over a year or two perfected his own style.
Katherine Eastick Landscape and texture also influences me greatly, especially desert and arid landscapes. Katherine's work is always evolving and changing, until the painting takes no more of her, but becomes "itself", existing in its own right.
